I wouldn’t know how to ever describe this film, it goes slightly beyond comprehension in the most fantastic way. The film is actually theoretically quite dense but its disguised by layers and layers of fantastic 80s kitsch and comedy so much so that it’d be incredibly easy to miss any deeper point and to just enjoy it for what it is.
The film stars Emilio Estevez as Otto, an 18 year old kid from a poor family who pretends to be older than he is and has an outlandish style, complete with a Madonna-esque holy cross earring. Otto has a surprise induction into the world of repo man but finds himself embracing this lifestyle, the mentorship and the code that it comes with. As repo men they repossess cars of people who cant pay their bills and hold them till they pay up, however, its not all that simple as they have a fierce rivalry with the other repo men in town, the Rodrigues brothers. The car is central to this film, set in LA, a fragmented city where you have to drive everywhere, the car becomes an incredibly significant representation of the driver, it is it’s own self contained world. The identity affixed to cars is a key part of Otto’s own self discovery of his identity. It sounds simple enough, but theres more, a trio of punk anarchists are wreaking havoc across LA, with such fantastic lines as ‘lets go do some crime’, they are a biting satire of counter cultural youths who don’t contribute much to the narrative but are so ridiculous and funny you’ll always be glad when they pop up. As if this wasn’t all enough for a fleshed out film, I neglected to mention the opening, which sets up a huge element of the film. The opening finds a man driving a malibu in the desert with a secret in his trunk, this secret is alien life and anyone who opens the trunk gets immediately evaporated, the radiation is also destroying this driver the longer he’s around it. This malibu becomes a hot commodity that Otto and his crew compete with the Rodrigues brothers to find in order to claim the bounty, they’re not the only ones, theres a conspiracy group, the United Fruitcake Organisation (UFO) and a government branch lead by a torture happy woman with a metal hand. All these groups try to get the malibu, backstabbing each other, forming alliances, having fights and eventually converging on the malibu, now glowing from radiation, causing a literal storm and setting people on fire. Otto and one of his co-workers get in the car which proceeds to raise into the air and fly around the city, like Grease but radioactive. So yeah, its a pretty crazy film.
I’m not going to try and unpack the film properly, that’s a job for a potential essay and either way I’d need to watch it again, needless to say, theres a lot at play in this film and some interesting ideas being represented. The film has a wide range of visual and spoken comedy mixed in with some slightly more serious moments. It is a genre bending, sci-fi, drama, comedy, post-modern, action epic and I don’t think I’ll ever see anything quite like it again.