January Round Up

So I’ve run into a lot of the same problems as last year with just watching too many films and having too much on leading to me falling massively behind on this, like I still haven’t written about films I saw weeks ago. So, with that in mind, I’m just gonna jot down the titles of the films and maybe a few words on each and hopefully with less of a backlog I can go back to doing a film at a time

Three Billboards Outside Ebbing Missouri (2017)

I love Martin McDonagh, I think In Bruges has one of the most perfect screenplays I know and I’m a big fan of the three main cast members so this film had an easy way into my heart. I did feel however that the screenplay here was less focused than McDonagh’s other work and at points felt inconsistent, the family scenes in particular often veered a little too close to melodrama for my tastes. I also felt as though the cause and effect in this film was a little inconsistent with characters seeing little to no repercussions to their actions which should have easily landed them in prison.
With all said and done, I really did enjoy the film, it had a great concept and tackled interesting ideas with some great humour and touching moments and a really fantastic cast all round.

Sex, Lies and Videotape (1989)

I don’t have a huge amount to say about this to be honest, I watched it 3 or 4 weeks ago now and it hasn’t stuck in my mind in any meaningful way although it was great to see such an influential film. Whilst it hasn’t necessarily made a huge impact on my life, I did enjoy the film and was at no point bored even if it wasn’t half as funny as it was advertised to be, strong cast of likable characters, James Spader is a stand out.

Ingrid Goes West (2017)

Its a real shame that this film didn’t get more attention in the latter half of the year, I suppose it wasn’t the best film of the year but there’s a lot of great stuff in here. I was reminded of Mr Robot whilst I was watching this just in the fact that it felt so current in the way it engaged with social media in a non-condescending way. It might also be one of the most well cast films I’ve seen this year, every single actor was perfect for their part, obviously you can’t talk about the actors without talking about how Great Aubrey Plaza is in this, really proving (if her other work wasn’t enough) her worth as a dramatic actress and so separate from April Ludgate. Elizabeth Olsen has less to do but is fantastic as the valley girl insta model, ignoring her early work in films like Martha Marcy May Marlene, watching this and Wind River (not necessary but its so good!) really prove her range.
It is a funny film, but the levels of cringe and just general dread suppress that side of things and make it feel as far from funny as possible but thats not a bad thing at all because the film has a lot more to offer than laughs and is just really worth watching.

The Killing of a Sacred Deer (2017)

I kinda thought I knew what to expect after seeing Dogtooth and The Lobster, especially since the trailers for this film gave away a lot of the story, but still I was consistently surprised from the opening shot. What I really didn’t expect was how odd the dialogue was and the detached delivery from the actors, I suppose it is in keeping with Lanthimos’ other work but those had much more heightened settings than the fairly typical house and hospital (ignoring the events happening within). Colin Farrell and Nicole Kidman are predictably fantastic and continue to be a great duo on screen, Barry Keoghan is sinister in a novel way giving him an a sense of actual unpredictability and theres even a small, fun role that Alicia Silverstone is clearly enjoying.
It’s a bit of a given that the film is beautifully shot but the camera movement is super interesting, almost always moving and zooming in on actors with clever editing that keeps the same movement between separate scenes. I’m not sure how well it will hold up for repeat viewings, especially with the detached tone that meant the film relied more on its mystery to keep me engaged but I really liked it the one time I did watch it, its also a lot funnier than expected.

I Don’t Feel at Home in this World Anymore (2017)

This is the film I was writing about last year when I stopped writing this blog, I wasn’t sober enough watching the film to remember any of the details when trying to write about it the next day or week or whatever so at that point I just gave up. But this year I’ve rewatched the film and will tackle it once and for all in a small post with other films because I also find this a very hard film to pin down properly, I’ve tried a few times to write about this film but its always stumped me.
I think the main problem for me is the attempt to capture the ironic downplayed humour thats so prevalent in indie film but it lacks ta certain subtlety which just makes the jokes feel like a pale imitation of Fargo without the laughter. Melanie Lynskey’s character is pretty much the human embodiment of this sense of humour and she does a good job but the character just isn’t compelling or likable enough to care. There were hints of interesting things with the film’s antagonists, the brief view we get into their world has hints of the occult in a True Detective kind of way. Devon Graye’s character Christian is particularly interesting and could have been quite an iconic character if given a bit more depth as the rich, effeminate but incredibly violent junky, unfortunately Jane Levy doesn’t really have anything interesting to do but its nice to see her pop up any way.
Much like Jeremy Saulnier, who directed him in Blue Ruin, Macon Blair has a proclivity and an eye for violence that translates very effectively on screen.
Theres a lot to like about the film but it manages to fall short in quite a few areas, including some incredibly questionable lighting and colour grading at points, but its a good debut and watchable, though maybe more fun when not sober?

 

Sorry these are all rushed and haphazardly written, its been a while since I’ve watched most of these and I’m almost certain there’ve been more films I’ve watched for the first time but already forgotten somehow, I’ll try to do better!

 

Advertisements